Diane Arbus Revelations

Diane Arbus Revelations (2003). Exhibition Catalogue. Random House Publishing Group.

This book accompanies the exhibition of Arbus’ work by the same name that occurred between 2004 and 2006 in the U.S.A, Germany and London.

The book can be broken down in to three main sections and contains  illustrations based on many of her photos, as well as extracts from her notebooks and correspondence.

The main part of the book is almost an autobiography as it includes extracts from Arbus’ correspondence with family, friends and colleagues; including some of the most renowned photographers and editors of her time. This section covers from 1923 though to her suicide in 1971.

The other main parts of the book are an essay concerning the significance of her work and a description of the techniques she used and the attempt to replicate these by Neil Selkirk following her death. This replication was done as part of producing a book and exhibition that followed her death.

The exhibition held at the Museum of Modern Art in San Francisco in 2004 contained roughly 190 of her prints.

Diane Arbus was fascinated by people, particularly where there was something different about them. The body of her work clearly shows this, with very few landscape or still life images. I can’t imagine myself producing work likes hers, simply because of the amount of interaction that would be required with individuals and groups of people.

For me the best part of this book is the opportunity to read Diane Arbus’ own words from postcards, letters and notebooks. Reading what she wrote gives an insight to her mind and personality. Something that hasn’t been as apparent from other works I’ve read about her. The opportunity to read her words provides a chance to try to understand the thought processes and urges that drove someone very important to photography. Being able to do this without going through other people’s filters gives a different perspective.

The other part of the book that I found interesting to read was the extract from her autopsy report. Reading this adds another dimension to her story, something that has been missing from other books and articles.

Seeing the autopsy report contrasts with reading her words in that it turns Arbus into an anonymous female and then into a pile of human organs, devoid of any individuality or personality. It brings home the fact that, regardless of who we are, how wealthy we are, how talented we are; we are at the heart of it a bag of skin that keeps a jumble of bones and organs from flopping all over the place. An organic mass that when animated allows us to move about, manipulate things and shape the world around us; as well as allowing us the chance to document that world through a variety of means that link to our senses.

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